Vocal Plan
In order for an actor to be convincing one of the key elements and instruments an actor uses is their voice. The voice has a massive impact on the tone, style, setting and more. For me to achieve my ambitious dreams of becoming an actor my voice will need to be clear. As of this I will create a developed and challenging vocal plan that will stretch my vocal capabilities. I have comprised an 8 step vocal plan that will look at key areas in the voice and also targeting weakness that I believe I have.
Step 1: Spinal Rolls
I felt the spinal roll was the best thing to first do in my vocal plan warm up as it relaxes the body and gets the actor into the mindset of working the voice.
Step 2: Stretches
In order to be able to release the voice and gain clarity you have to be warmed up and I believe the best way to warm up is the first do body exercises.
Some stretches that help me and I believe warm up the body best also includes using the voice. It's called Rubber Chicken. The exercise involves your arms and legs, first you count to 8 and do 8 shakes of the arm in your left arm, you then do eight shakes in the left arm, the 8 in the left leg and eight in the right. You then copy this movement by dividing it by 2. I then do 4 shakes on each arm and leg then 2 and then finally 1. After I have done the final one, I find it best to shake out one last time completely to warm up the body. This exercise can also use the voice as you can count the numbers out loud in different accents and different voices to help projection and also accent work whilst also warming up the body and getting ready for the rest of the vocal plan. I normally do this twice in order to warm the body up.
Some stretches that help me and I believe warm up the body best also includes using the voice. It's called Rubber Chicken. The exercise involves your arms and legs, first you count to 8 and do 8 shakes of the arm in your left arm, you then do eight shakes in the left arm, the 8 in the left leg and eight in the right. You then copy this movement by dividing it by 2. I then do 4 shakes on each arm and leg then 2 and then finally 1. After I have done the final one, I find it best to shake out one last time completely to warm up the body. This exercise can also use the voice as you can count the numbers out loud in different accents and different voices to help projection and also accent work whilst also warming up the body and getting ready for the rest of the vocal plan. I normally do this twice in order to warm the body up.
Step 3: Resonators
In the body there are many different resonators, I feel the best way to wake up your resonators is to do a rhyme that focuses on each resonator. There are 3 main resonators that are looked at with this, the head, nose and chest resonators.The rhyme is 'Why fly so high said naughty Nora whilst eating an apple with Zoey the Zebra in the Zoo'. I think this rhyme is perfect for helping with the resonators as it looks at all three resonators whilst in the same rhyme. The first best of the rhyme is 'Why fly so high...' This focuses on the head voice and is done in a higher pitch register to match the head voice. The next part is 'said naughty Nora', this looks at the nose resonator and is said through the nasal voice which doesn't involve much work from the mouth its self. I think this part of the rhyme is best suited to the nasal resonator as the actor says two words beginning with N which sound very nasal. The last part is finally done in the chest voice 'whilst eating an apple with Zoey the zebra in the Zoo'. This opens up the actor to the chest voice and helps to understand the different registers that can be used in performances. I also add actions to this resonator exercise to help me get the tone of each register. For the head voice I put my head and say the words, when I work the nasal resonator I massage my nostrils and finally for the chest voice I pound my chest softly and this helps me to access the different voices. I do this four times so I know that each resonator has woken up and they are ready to be used.
Step 4: Face Massages

I think one of the best massages to do is to take both hands, take where your thumb meets the end of your hand and massage it from the top of the cheek bone down to the jaw, this exercise helps me to relieve tension and warm up different vocal points. I do this about 5 times and I find really great results as it helps to relieve tension from one of my main points of tension the Jaw.
Step 5: Tongue Exercises
The tongue is a key area to articulation in the voice and also helps with breath control and many other things. A good tongue exercise is to take your index finger and place it on your teeth as if you are telling someone to be quite. You then stick your tongue out to a comfortable length against the finger and you push your tongue against your finger, this helps strengthens the muscles in the tongue. Another exercise that is good to do is to do a circle with your tongue in your mouth, first going along the top ridge of your teeth going to your bottom teeth and going round in a circle, I do about 5 circles one way and then 5 the other way to make sure my tongue is warm. The exercise where I push my tongue against my finger I do for about ten second 3 times, this helps gain muscle in the tongue so it is stronger for the next time you use it.
Step 6: Tongue Twisters
As I have just recently warmed up the tongue is step 5 I felt it would be good to stay with tongue exercises and do some tongue twisters. I find that my 'th' sound gets mixed with my 'f' sound quite a lot, so I will focus on tongue twisters which help combat that.

Step 7: Breathing Exercises
From recent things I've been in I've been told that my breath control was a weakness. This is something I want to look at as I don't want my breath control to hinder me in the future.
Step 8: Alexander Technique
As I said before my posture is a weakness of mine. As this is the last step I felt it would be apt to look at my posture once more and to use this technique as it also helps the actor to cool down after the 7 steps that came before.
Alexander technique is a technique crafted to help the actor with their posture, it requires the actor to get into the semi supine position which is when the actor lays on the floor with their knees up as shown by the photo on the right. As you can see the woman also has a book underneath her head, this helps the body to get into the right position as the spine is in alignment with the head. The book however isn't needed if not accessible. After in this position it is best to image the areas where you feel tense and imagine a red ball of heat fixing the points of tension. It is also good to imagine your body sinking through the floor so that you aren't holding tension in your back. I think this is a good exercise to do as the last step as it helps you to cool down whilst also looking at your posture.
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